By Tatiana A. Tagirova-Daley
Claude McKay’s releasing Narrative: Russian and Anglophone Caribbean Literary Connections examines McKay’s look for an unique kind of literary expression that begun in Jamaica and endured in his next travels out of the country. Newly came upon study referring to his presence in numerous Russian periodicals, magazines, and literary diaries brings new gentle to the writer’s contribution to the Soviet figuring out of African American and Caribbean matters and his attainable effect on Yevgeny Zamyatin, the author he met in the course of his 1922 - 1923 stopover at to Russia. the first concentration of this e-book is Claude McKay and his confident reception of Alexander Pushkin, Feodor Dostoyevsky, and Leo Tolstoy, the nineteenth-century Russian writers who stimulated his literary occupation and enabled him to discover an answer to his obstacle of a twin Caribbean identification. The secondary concentration of this publication is the research of McKay’s affinity along with his Russian literary predecessors and with C.L.R. James and Ralph de Boissière, his Trinidadian contemporaries, who additionally said the significance of Russian writers of their inventive improvement. The ebook discusses McKay as a precursor of Russian and Anglophone Caribbean hyperlinks and offers a comparative research of cross-racial, cross-national, and cross-cultural alliances among those precise but related varieties of literature. Claude McKay’s freeing Narrative is extremely urged for undergraduate and graduate classes in Caribbean and comparative literature at North American, eu, Caribbean, and African universities.
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Extra resources for Claude McKay's Liberating Narrative: Russian and Anglophone Caribbean Literary Connections
36 The narrator of the poem contests the greatness of this civilization and shows the negative effects of colonialism that make him feel at a loss. The capitalism and colonialism that took Africans away from their native land is also the reason workers dread a coming dawn in the poem “The Tired Worker”: The wretched day was theirs, the night is mine; Come tender sleep, and fold me to thy breast. But what steals out the gray clouds red like wine? Have pity! Escape from the pit of sex and poverty, from domestic death, from the cul‐de‐sac of self‐pity, from the hot syncopated fascination of Harlem, from the suffocating ghetto of color consciousness.
78 CMPJ 15‐455. 152, hereafter cited as G. 152. 159–60. 208. 208. 211. 83 CMPJ 13‐38. 84 Claude McKay’s Letters to Max Eastman from 1928 to 1934, The Lilly Library, Indiana University. 272. 306. 87 CMPJ 13‐309. 88 CMPJ 13‐309. 89 CMPJ 9‐298. 32. 41. 13. 357. 360. 357. 241. 241. 45. 241. 321. 263. 263. 266. 266. 266. 260. 228. 228. 228. 49–50. 228. 112 McKay’s letter to Langston Hughes, LHPJ 109‐2042. 113 McKay’s letter to James Weldon Johnson, CMPJ 13‐30. 282. 80 CHAPTER 2 Mutual Concerns and Contributions: Claude McKay and Soviet Russia In your struggle for existence, do not think of your colour as a handicap, but as raiment of distinction to wear proudly, always.
93–94. 64 CMPJ 13‐38. 295–296. 296. 296. 68 CMPJ 9‐298. 69 CMPJ 9‐298. 70 CMPJ 9‐298. 298. 298. 271. 271. 75 Letter to James Weldon Johnson dated May 8, 1935, CMPJ 4‐419. 76 CMPJ 13‐38. 77 CMPJ 15‐455. 78 CMPJ 15‐455. 152, hereafter cited as G. 152. 159–60. 208. 208. 211. 83 CMPJ 13‐38. 84 Claude McKay’s Letters to Max Eastman from 1928 to 1934, The Lilly Library, Indiana University. 272. 306. 87 CMPJ 13‐309. 88 CMPJ 13‐309. 89 CMPJ 9‐298. 32. 41. 13. 357. 360. 357. 241. 241.