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By Helen Bradley

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Extra resources for Creative Digital Crafts

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Do the same for each wrinkle. You can lower the layer opacity if you want to reduce the effect. 13 Glare removal We now want to get rid of some of the nasty specular highlights on the face. We marquee the face, select the background layer and Ctrl/Apple+J again, so that we’ve got separate control over the crease lines. We use the Patch tool again for the smaller areas on the cheeks and chin. Curves 1 Levels 1 Left eye Right eye New eye Glare removal Crease lines 14 Forehead glare The bigger areas on the forehead are too big for the Patch tool.

The Brushes palette is where you shape the characteristics of the brush stroke. Open the Brushes palette and observe the different aspects of brush creation. Brush Shape Dynamics, Brush Scattering, Textured Brush options, Dual Brushes, Colour Dynamics Brush options, Other Dynamics Brush options and Other Brush options all include controls that affect the brush shape, colour, size and application. Experiment with the different settings, bearing in mind that it would be impossible to cover all combinations.

When using blending modes you’ll often build up layers of the same image on top of each other and experiment with their blending modes until happy. Copy this layer, place it on top and name it ‘Background 2’. 06 Allow the texture to show through As you want the texture to show through, set the blending mode of ‘Background 1’ to Linear Burn and ‘Background 2’ to Overlay. This has the effect of blending Background 1 with the paper texture underneath it. You can experiment with the effect by adjusting the opacity of layers.

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