Download Digital Camera World - Complete Photography Guide - by Digital Camera Magazine Editor, Marcus Hawkins PDF

By Digital Camera Magazine Editor, Marcus Hawkins

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Additional info for Digital Camera World - Complete Photography Guide - Mastering Composition

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Get down to ground level when photographing animals, for instance, select a wide aperture and blur grasses in front of them to provide a soft frame. Combine this with an out-of-focus background which compliments the foreground (trees, bushes or taller grasses), and your in-focus subject will appear sharper than ever. Your photo will have a pleasing 3D effect. One of the easiest ways to give your pictures depth is by finding a natural frame. By positioning your subject in the middleground of the photograph and finding a sharply rendered or blurred frame to occupy all or part of the foreground, you’ll be able to draw viewers into your scene.

Think about placing contrasting patterns or textures next to each other – a sense of conflict always makes for a more exciting viewing experience. A collection of the most mundane objects can create surprisingly lively subject matter in the right hands… S The strong diagonals of a leaf study - classic or cliché? Be sure to angle the camera so that the sensor is parallel with the leaf’s surface in order to maximise depth of field. TEAM LinG - Live, Informative, Non-cost and Genuine ! 36 DlgHjilCannera Strong lines and a great sense of texture make this image leap off the page.

Compositionally, this is awkward – it gives the unnerving impression that your subject’s moving backwards. When a subject ‘bleeds’ out the rear of the frame in a slow-mo study, it’s fine to leave only a small area for them to move into. Watch your background using this technique –findone that’ll produce smooth tones when panned. TEAM LinG - Live, Informative, Non-cost a n d Genuine ! on DlgltojCaiimera 41 Even though the expanse between the girl and the edge of the frame she’s looking out of is saturated with colour, there’s still no mistaking the focal point – the diagonals draw you back there.

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