Download Flash + After Effects by Chris Jackson PDF

By Chris Jackson

Flash Designers: push Flash to the following point with After results' strong toolset. * upload movement photographs and visible results in your Flash initiatives * Fuse 3D intensity into 2nd animations * organize Flash animations for broadcast * shop improvement time in executing animations mix those powerhouse functions to extend your multimedia horizons. Flash + After results supplies the skilled Flash dressmaker a operating figuring out of the After results toolset with specialist recommendations that bring up the layout bar for net, broadcast, or CD/DVD supply. The better half DVD comprises venture media that allow you to perform crucial After results talents that come with: * operating with video and the AE timeline * utilizing alpha channels for keying and embellishing interactivity * placing vector animation to paintings with textual content and form Layers, and animation presets * growing 3D backgrounds with cameras and lighting * Animating with Behaviors, Parenting, Expressions and the Puppet instrument you furthermore may get a video primer, render and dossier optimization strategies, and publishing and streaming guidance. mix powerhouse purposes to: * upload movement snap shots and visible results * Fuse 3D intensity into 2nd animations * organize Flash animations for broadcast * retailer improvement time

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It alters the pixel color values to keep the composition’s color space within the range allowed for broadcast video. 20: Apply the Broadcast Colors effect to an adjustment layer to keep the composition’s color space within the color range allowed for NTSC and PAL video. 23. Click on the RAM Preview button. Save your project. 24. Select Composition > Make Movie. This opens the Render Queue. 25. Click on Lossless next to Output Module. Set the Format to QuickTime movie. Click on Format Options and set the compression setting to MPEG-4 Video.

If you turn off the keyframes, you lose all of them. If you want to delete a specific keyframe, click on it in the Timeline and press the Delete key. 46: Add a keyframe at the current time. 53. Move the Current Time Indicator (CTI) back to the first keyframe you set at two seconds (02:00). Hold the Shift key while you drag the CTI and it will snap to that keyframe. 54. Click and drag the word “Blue” off the bottom of the Comp Window. This will be the starting position for the word. The interpolation automatically recalculates the transitional frames in between the two keyframes.

Psd layer. 20. Type S on the keyboard to show only the Scale property. Scrub through the numeric value and set it to 110%. Now the edge distortion occurs outside the Comp Window. 21. Let’s rearrange the stacking order of the layers. ai layers to go between the rocks and water layers. 57: Rearrange the stacking order so that the bubbles and blue title go behind the rocks in the Composition panel. 22. Click on the RAM Preview button to see the final animation. Congratulations. You have finished your first project in After Effects.

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