By Curtis Sponsler
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So that it will turn into a imaginative artistic artist then glance no additional! This speedy connection with After results will aid you open, set up and get up-and-running to a pro point with Adobe's movement photos and visible results software program package deal. Curtis Sponsler publications you thru the various universal hindrances that frustrate beginner and plenty of intermediate designers.
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Movement trap in functionality explores the ancient origins, homes and implications of movement trap. It introduces a brand new mode of functionality for the industrial movie, animation, and console gaming industries - 'Performance Capture', a different interdisciplinary discourse within the fields of theatre, animation, functionality reviews and picture.
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Extra resources for Focal Easy Guide to After Effects: For new users and professionals (The Focal Easy Guide)
Drag and Drop Construction Just as in the Timeline Window, you can add layers directly to the Comp Window via drag and drop. ai then drag it, but don’t release, into the Comp Window. As you bring the file into the Comp Window you’ll discover that the file is represented as a simple bounding box with an ‘X’ across the center. Drag the file toward the center of the window and watch as it snaps to the Comp Window’s center. Likewise, dragging the file to any window edge will snap the bounding box’s adjacent edge to the window edge.
Right-click in the Comp Window – at the bottom of the pop-up window will be ‘Select’. Choose your layer here. ● ● Switch off any layer you don’t want to select. Select the layer in the Timeline Window you want to move, then return to the Comp Window. For now, go ahead and turn off layer 1. Now you can just click and drag the WONK logo around the screen with ease. qxd 02/12/2005 6:02 PM Page 44 THE FOCAL EASY GUIDE TO AFTER EFFECTS Fast Previews – OpenGL Preview As you drag layers around the screen, notice in the lower right of the options bar (bottom edge of the Composition Window) the Fast Previews button may change color to green.
When you select either Alpha mode, only the source layer’s Alpha Channel is used as the key channel, while the ‘Luma’ options pull from the source layer’s luminance values to determine the fill layer’s opacity levels. qxd 02/12/2005 6:02 PM Page 39 WELCOME TO AFTER EFFECTS Deleting Keyframes When you delete Keyframes in the Timeline, you may get some unexpected results. qxd 02/12/2005 6:02 PM Page 40 THE FOCAL EASY GUIDE TO AFTER EFFECTS ● Highlighting all Keyframes of a property then pressing ‘Delete’ will result in the property’s value matching the value of the first Keyframe.