By J. Bogousslavsky, M.G. Hennerici
"Neurological problems in well-known Artists - half 2" offers extra writers, philosophers, musicians, painters and picture administrators who built a few type of neurological disorder and whose sort and output replaced following a stroke or different cerebral disease. Mozart, Baudelaire, de Kooning, Proust, Fussli, Heine, Fellini, Visconti and others are all extraordinary examples of the way striking creativity should be challenged and transformed or destroyed and restored, all in the drama of a disorder. whilst mind affliction demanding situations the features of artists, the adjustments that consequently ensue of their paintings supply a special chance to discover the mysteries of creativity. this can additionally bring about a greater realizing on how definite artists constructed, relatively while the process a sickness corresponds with what's in most cases well-known as a brand new bankruptcy of their work.This booklet deals a desirable learn for neurologists, psychiatrists, basic physicians and anyone attracted to paintings, literature, track and movie.
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Extra info for Neurological Disorders in Famous Artists (Frontiers of Neurology and Neuroscience), Part 2
Many of these changes have also been described in the painter Anton Räderscheidt [Jung, 1974] who carried out many self-portraits in the first year after his right-sided brain damage in 1967. Analysis of Räderscheidt’s selfportraits reveals that he also changed his postmorbid stance in front of these paintings: analysis of postmorbid self-portraits [illustrated in Herzog, 1991] shows that he painted himself with his head and body turned to the left,3 whereas this was not or less frequently the case in his premorbid self-portraits.
In his memoirs, he writes: ‘Often during this night the deceased appeared and seemed to wave to me, while from above a brute force oppressed me, deeper and deeper. “It’s neck or nothing’’ I said to the nurse, and the doctor, to whom I expressed the same suspicions, answered to me: “with a heart like yours, there is no dying’’’ [Corinth, 1926]. His wife Charlotte reports: ‘I had just dozed off, when I heard sounds and shouts from his room. At the same moment, I was standing next to his bed; he was lying on his left side and groaned.
Gardner H, Winner E: Artistry and aphasia; in Sarno MT (ed): Acquired Aphasia. New York, Academic Press, 1981, pp 361–384. Jung R: Neuropsychologie und Neurophysiologie des Kontur- und Formsehens in Zeichnung und Malerei; in Wieck HH (ed): Psychopathologie musischer Gestaltungen. Stuttgart, Schattauer, 1974, pp 29–88. Kuhn A: Lovis Corinth. Berlin, Propyläen, 1925. Schuster PK, Vitali C, Butts B: Lovis Corinth. Munich, Prestel, 1996. Uhr H: Lovis Corinth. Berkeley, California University Press, 1990.